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©
Charles Camoin, VEGAP, Madrid
Charles Camoin

Harbour of Cassis with Two Tartanes

ca. 1905
Oil on canvas.
65 x 81 cm
Carmen Thyssen Collection
Inv. no. (
CTB.1999.32
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop

During his military service, the young Camoin was stationed in Aix-en-Provence, and was thus able to visit Cézanne, which he did assiduously for three months in 1902. That was the beginning of a close friendship and a written correspondence, maintained until Cézanne's death, the pages of which Camoin treasured for the rest of his life. In 1904 Cézanne's influence was still very visible in Camoin's painting. But the following year, in 1905, Camoin joined the Fauves, exhibiting with them in the Salon d'Automne, together with Matisse and Marquet (whom he had met some years earlier as a fellow student in the studio of Gustave Moreau), as well as Manguin, Puy, Derain and Vlaminck, among others. Most of these painters spent lengthy periods in Provence, in the area that included L'Estaque, Cassis and Saint-Tropez. Early in June 1905, Camoin joined his friend Marquet in Saint-Tropez. On 28 June he wrote to Matisse: "We are happy to learn of your good news and know that you are more or less satisfied with your work. Here, at least as far as I am concerned, I cannot say the same. I have spent the last few days in Cassis and have not done more than a single canvas. I came to Saint-Tropez with the aim of recuperating, and we spend the time here sucking straws and waiting for the sun." 

In the secluded, intimate atmosphere of this little harbour on the Côte d'Azur, Camoin intoned a hymn to the light of the Mediterranean. The painter was a very moderate Fauve; only using combinations of intense colours for certain specific motifs, such as the dress of a young Neapolitan woman or a street festooned with flags. Like Marquet, he preferred to represent light through extensive use of white in his colours. In some areas of the paintings (for example, the mountains), we still see something of the legacy of cloisonnism, with flat areas of colour enclosed within dark outlines. In contrast, the loose brushstrokes of the reflections in the water reveal the painter's indebtedness to the Impressionist tradition. But this free handling is enclosed within a strict classical composition, defined by the masts of the boats (one of which also coincides with a valley in the profile of the mountains) and the horizontal line of the edge of the landing-stage.

Guillermo Solana

 

20th CenturyPaintingOilcanvas
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Products and publications

Harbour of Cassis with Two Tartanes

Harbour of Cassis with Two Tartanes

17.00 €

Alex Katz (exhibition catalog. Spanish with texts in English)

Alex Katz (exhibition catalog. Spanish with texts in English)

32.00 € 30.40 €

De Palacio Villahermosa a Museo Thyssen-Bornemisza. Historia de un edificio

De Palacio Villahermosa a Museo Thyssen-Bornemisza. Historia de un edificio

28.00 € 15.50 €

Poster Richard Estes: People's Flower

Poster Richard Estes: People's Flower

12.50 €

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Harbour of Cassis with Two Tartanes. Puerto de Cassis con dos tartanas, c. 1905
Harbour of Cassis with Two Tartanes
Charles Camoin

©

Charles Camoin, VEGAP, Madrid

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The exploitation rights of the images correspond to the Fundación Coleccion Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes and non-commercial uses.

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Harbour of Cassis with Two Tartanes. Puerto de Cassis con dos tartanas, c. 1905
Harbour of Cassis with Two Tartanes
Charles Camoin

©

Charles Camoin, VEGAP, Madrid

Terms of Use

The Photo Library of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works of the Carmen Thyssen Collection.

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However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the photographs set out below by the Foundation, it will be necessary to obtain a license fromVEGAP (Visual Entidad de Gestión de Artistas Plásticos www.vegap.es) or from the corresponding collective management organizations in the country where the work is going to be used or, where appropriate, from the holder of their rights in order to reproduce or exploit the work.

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