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©
Erich Heckel, VEGAP, Madrid
Erich Heckel

House in Dangast (The White House)

1908
Oil on canvas.
71 x 81 cm
Carmen Thyssen Collection
Inv. no. (
CTB.1961.13
)
ROOM H
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL

The Old Post House in Dangast-the "White House" shown in Heckel's painting-still stands, not far from the shore line and mud flats of the so-called Wattenmeer, the curving bay which describes a semi-circle between the town of Varel and the port of Wilhelmshaven. The immediate surroundings, however, are now so changed that it is difficult to visualise the locality as it must have appeared in the early years of this century. In particular, the main asphalt road now runs not alongside the building, but past the further gable end of the house. The house itself is also overshadowed by trees to such extent that one can scarcely imagine it in the dazzling sunlit colours of Heckel's painting. Schmidt-Rottluff and, in later years, Franz Radziwill also depicted the same building on several occasions.

The picture dates from Heckel's second visit to Dangast in summer 1908. It signals a dramatic move away from the heavy impasto characteristic of his works done the preceding year towards a flatter, clearer manner of painting. The pigment is now sparingly applied, the composition dominated by flat, luminous planes of colour. Heckel at this time started diluting his paints with varnish or even paraffin, experimenting with ground pigments and attempting to devise a kind of thin distemper that might suit his increasingly rapid and impulsive brushwork. 

House in Dangast marks perhaps the closest point of contact between any of the Brücke artists and the Fauves. One could easily convince oneself that, instead of the cold sunlight of Germany's North Sea coast, these were the brilliant colours of the Mediterranean captured by a painter like Vlaminck or Derain. Whether Heckel was aware of their work at so early a date remains open to question. Such influences could have been mediated through the example of Pechstein, who had discovered the art of the Fauves at first hand in Paris during the winter of 1907-1908. Paintings by fauvist artists including Derain, Van Dongen, Friesz, Marquet and Vlaminck were also exhibited in Dresden at the Kunstsalon Richter in September 1908 at the same time as a showing of the Brücke members' own work. Matisse, too, was known in Germany by 1909 at the latest, in part through his exhibition at Cassirer's in Berlin in January of that year. House in Dangast had, on the other hand, been painted as early as the preceding summer, and it is possible that Heckel had arrived independently at similar conclusions, and that his later statement that he was unaware of contemporary French art should be taken quite literally.

Dangast was one of several remote destinations favoured by the Brücke artists for their summer painting expeditions, when they would escape the stuffy confines of the city and immerse themselves in what they saw as a more "primitive" way of life.

Peter Vergo
 

20th CenturyPaintingOilcanvas
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House in Dangast (The White House)
House in Dangast (The White House)
Erich Heckel

©

Erich Heckel, VEGAP, Madrid

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House in Dangast (The White House)
House in Dangast (The White House)
Erich Heckel

©

Erich Heckel, VEGAP, Madrid

Terms of Use

The Photo Library of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works of the Carmen Thyssen Collection.

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