Thyssen-Bornemisza Museo Nacional Search Ir al contenido principal

Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
Visit Collection Exhibitions Activities Education Search
  • Visit
  • Collection
  • Exhibitions
  • Activities
  • Education

Thyssen - Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
©
Museo Nacional Thyssen-Bornemisza, Madrid
Nicolas-Bernard Lépicié

In the Courtyard of the Customs-House

1775
Oil on canvas.
98 x 164 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
219
(
1966.2
)
ROOM 24
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
This well documented canvas was commissioned from the artist by the Abbot Terray, minister to Louis XVI. The Abbot also ordered a pair to this composition entitled The Market Square (Le Halle), now in a private collection, completed by Lépicié four years later in 1779. The present canvas was exhibited in the 1775 Salon where it was well received by Diderot who praised its imaginative composition and its colouring. Diderot also noted that the central figure in the green frockcoat was the painter himself. The canvas was auctioned at the posthumous sale of the Abbot’s collection with its pair, and both successively entered the Ménars de Marigny, Clos and Tarade collections. In May 1874 the latter donated the pair to the museum in Tours, a donation cancelled by his widow in 1881 and the two reappeared on the art market that year. The paintings remained together until 1893, at which date they were with the Galerie de l’Universelle. In 1903, however, at the sale of the Lelong collection, we only find a reference to the present canvas. The last owner of this canvas before it was acquired for the Thyssen-Bornemisza collection was Baron James de Rothschild.

The present canvas, which is signed and dated 1775, is a mature work by Lépicié. The artist organised its much admired composition through a large open space enclosed on the left by a curved portico of solid arcades and a small gallery whose interior houses the offices of the Customs House. The space in the middle of the courtyard is filled with bundles, bales and barrels loaded onto wagons and lying on the ground. Between them we see the wagon horses and figures, the latter arranged in groups and waiting or examining the merchandise, for example, the group of figures in the foreground who have opened a case of books. Others are supervising the bales, checking seals and documentation, as in the central group. The activity taking place in the courtyard, in which the artist depicts the everyday tasks of the customs officials, seems to be a realistic portrayal of the work of this government department although in Lépicié’s version the Abbot Terray himself, dressed in black and standing behind the man in the red frockcoat, is personally supervising the work. The harmonious chromatic range is broken with saturated touches of reds and greens in the clothes of some of the figures. Two preparatory drawings for the painting are known: one of the entire composition that is in the collection of the Thyssen-Bornemisza Heirs, having been acquired at the same auction as the present canvas, and the other of fourteen figures in the James de Rothschild collection.

Mar Borobia
18th Century18th Century - French paintingPaintingOilcanvas
Listen
Download image Print page

Tours to find it

A Girl in Japanese Gown. The kimono, c. 1887
Tours
Journeys

Our thematic route through the Museo Thyssen Bornemisza rooms to a land (as in Baudelaire’s dream in Invitation to the Voyage) where “all is order and beauty, luxury, peace and pleasure”.

Portrait of Matthäus Schwarz. Retrato de Matthäus Schwarz, 1542
Tours
Wine Culture in the Thyssen-Bornemisza Collection

The different aspects of the history of wine embodied in various paintings.

Products and publications

Klee socks

Klee socks

13.50 €

Delaunay, Sonia

Delaunay, Sonia

17.00 €

Poster Richard Estes: People's Flower

Poster Richard Estes: People's Flower

12.50 €

Poster Richard Estes. Nedick's, 1970

Poster Richard Estes. Nedick's, 1970

12.50 €

Visit online shop

More from the collection

Hubert Robert
Hubert Robert
The Foot-Bridge
ca. 1775
Jean-Honoré Fragonard
Jean-Honoré Fragonard
Portrait of a Young Lady
ca. 1770 - 1772
Hubert Robert
Hubert Robert
Civil Guard
ca. 1780 - 1785
François Boucher
François Boucher
River Landscape with Ruin and Bridge
1762
  • Private and/or didactic use
  • Commercial use
Private and/or didactic use
In the Courtyard of the Customs-House. El patio de la aduana, 1775
In the Courtyard of the Customs-House
Nicolas-Bernard Lépicié

©

Museo Nacional Thyssen-Bornemisza, Madrid

Terms of Use

The exploitation rights of the images correspond to the Fundación Coleccion Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes, and other non-commercial uses.

Use for educational and research purposes is understood as the non-commercial or advertising use of images in presentations, conferences, school or university work, in classes at regulated education institutions, as well as in academic publications, with a circulation of less than 1,000 copies, provided that it is non-profit.

Non-commercial use is understood as the use of the images in a context where no profit, monetary or commercial, is generated, directly or indirectly.

Any use other than those indicated above will require the prior written authorization of the Fundación Any request for educational and research use or for non-commercial use (including academic publications), should be directed by email to the Museum Photo Library through the email address archivo.fotografico@museothyssen.org. This department manages the worldwide distribution of the images of the works of the Museo Nacional Thyssen-Bornemisza and the management of their reproduction rights for those uses.

The user agrees to use the image of the website solely and exclusively for the purposes described above and in accordance with the following terms of use:

Terms of use

  • If the image is used for reproduction, the work must be reproduced in its entirety. The image may not be manipulated, deformed, modified, or altered in any way. In particular, no superposition (of images or texts) on the reproduction is allowed.
  • The reproduction of a detail or part of the work may only be made with the prior written authorization of the Fundación. In this case, the credit line must include the following mention: “detail”.
  • Any total or partial reproduction of the images authorized by the Fundación must be accompanied by the following mention: Author's name. Title, Date © Museo Nacional Thyssen-Bornemisza, Madrid.
  • The user will send to the Museum Photo Library of the Fundación one (1) free copy of the edition, publication or reproduction to the following address: Archivo Fotográfico, Museo Nacional Thyssen-Bornemisza, Paseo del Prado, 8 28014 Madrid, Spain.
Download image
Commercial use
In the Courtyard of the Customs-House. El patio de la aduana, 1775
In the Courtyard of the Customs-House
Nicolas-Bernard Lépicié

©

Museo Nacional Thyssen-Bornemisza, Madrid

Terms of Use

The Photographic Archive of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works on its Permanent Collection.

To request images or permits for commercial use in academic or research publications, that is, catalogues of other institutions, monographs and other specialized publications, you should contact the Museum's Commercial Archive by email at the e-mail @email.

To request images or permits for other commercial or advertising uses (general publications, merchandising, exhibitions, audio-visual works, web pages, etc.), you should contact the Museum's Commercial Archive by email at the e-mail @email.

The Photo Library and the Museum's Commercial Archive manage the worldwide distribution of images of the Museo Thyssen-Bornemisza works, as well as their reproduction rights. The applicable rates are calculated based on the nature and proposed use of the images, as well as the availability of the requested image.

Requests for scans or new photographs will be reviewed on a case-by-case basis. Once approved, an additional fee will apply. Re-photographing a work will require a minimum of six weeks to complete.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the photographs set out below by the Foundation, it will be necessary to obtain a license from the author or copyright holder known to the Fundacion in order to reproduce or exploit the work.

Download image
Thyssen-Bornemisza Museo Nacional

Navegación secundaria (EN)

  • #Thyssenmultimedia
  • Press
  • Corporate events
  • Tourism
  • Join our team
  • Newsletter
Instagram
Facebook
X
Youtube
TikTok
iVoox
LinkedIn

The Museo Nacional Thyssen-Bornemisza would like to thanks for the collaboration of:

Fundación Mutua Madrileña Master Card Comunidad de Madrid
©2025 Thyssen-Bornemisza National Museum

Menú al pie (EN)

  • Legal terms and use of images
  • Public tenders
  • Transparency site
  • Accessibility and quality
  • Sustainability & 2030 Agenda
  • Contact
Ministry of Culture España es cultura | Spain is culture. The website promoting Spanish culture Paisaje de la Luz | Paseo del Prado y Buen Retiro. Paisaje de las Artes y las Ciencias
Certificación de Conformidad con el Esquema Nacional de Seguridad. Categoría Media. RD 311/2022