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Oskar Schlemmer
Oskar Schlemmer

Formation.Tri-partition

1926
Watercolor and pencil on Paper.
55.7 x 35.2 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
740
(
1976.16
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop
The development of Oskar Schlemmer’s artistic career paralleled that of the Bauhaus. He taught drawing from life at the school, a discipline that was considered indispensable despite its members’ rejection of academicism of any kind. Schlemmer wrote in his diary that he was teaching his students to create idealised images of man, which had to “turn towards metaphysical spaces, metaphysical perspectives, the metaphysical figure [...] Men outlined, not men differentiated.” Towards 1926, the year the present work belonging to the Museo Thyssen-Bornemisza is dated, Schlemmer incorporated into his teachings of drawing from life notions of bodily proportions and philosophical and psychological aspects of the human being.

Formation. Tri-partition is one of a set of eight watercolours executed between 1925 and 1931 in connection with his painting Tri-partition, dated between 1925 and 1928, belonging to a private collection. For a time the watercolour in the Thyssen-Bornemisza Collection was dated to 1929, but when it became known that it had been shown in an exhibition in Dresden in May 1926, Karin von Maur rectified the date. In this suite of works Schlemmer, a convinced devotee of esotericism, establishes a set of symbols based on the number three, as in his Triadic Ballet (Das Triadische Ballet) of 1921, in which he creates the same type of symbolic play through three dancers and three musical movements. The artist aspired to transfer to the scene the new concepts of man’s relationship with space, based on a geometric analysis of bodily forms and movements in space. This ambitious work became a paradigmatic example of the new ballet as an all-embracing art through the fusion of dance, costume design and music.

Paloma Alarcó
20th Century20th Century - European painting. Pioneers of abstractionWork on paperWatercolor and pencilPaper
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Formation.Tri-partition. Formación. Tripartición, 1926
Formation.Tri-partition
Oskar Schlemmer

©

Oskar Schlemmer

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Formation.Tri-partition. Formación. Tripartición, 1926
Formation.Tri-partition
Oskar Schlemmer

©

Oskar Schlemmer

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