Thyssen-Bornemisza Museo Nacional Search Ir al contenido principal

Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
Visit Collection Exhibitions Activities Education Search
  • Visit
  • Collection
  • Exhibitions
  • Activities
  • Education

Thyssen - Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
©
VEGAP, Madrid
Gino Severini

Woman at the Window

1914
Pastel on Paper.
64.5 x 50.5 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
751
(
1976.26
)
ROOM 42
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Of the Italian Futurists, Gino Severini had the most French connections. He lived in Paris from 1906 and in August 1913 married the daughter of Paul Fort, the influential editor of the journal Vers et Prose. During the autumn of 1913, and probably at the beginning of 1914, he worked on his text Les Analogies plastiques dans le dynamism, which explored “plastic analogies” and chromatic equivalences between different forms and phenomena. The Museo Thyssen-Bornemisza pastel, Woman at the Window, dates from the beginning of these investigations.

The Futurists’ use of the theme of the woman at the window was linked to their personal notion of simultaneity as a synthesis between what is seen and what is remembered, between consciousness and reality, in the same image. “When painting a person on a balcony, seen from within the room, ” wrote Boccioni, who had painted this theme in Simultaneous Visions in 1911, “we do not limit the scene to what the window frame makes visible, but we try to represent the sum total of the visual sensations experienced by the person on the balcony.”

In the catalogue raisonné of Severini’s works, Daniela Fonti relates this pastel and another similar one to the oil painting Woman on the Balcony, signed and dated in 1914, of which only a black and white photograph survives, reproduced in Pierre Courthion’s monograph on Severini published in 1930. Like the other painting by Severini in the collection, Expansion of Light (Centrifugal and Centripetal), Woman at the Window bears certain similarities to Sea=Dancer in the Peggy Guggenheim collection. All these compositions share the same interplay between the planar and cylindrical forms borrowed from Léger and the colourful Orphism of Delaunay, and the same dissolution of volumes that characterizes Severini’s work during this period.

Paloma Alarcó
20th Century20th Century - European painting. Cubism and Its wakeWork on paperPastelPaper
Listen
Download image Print page

Products and publications

Poster Richard Estes. Telephone Booths, 1967

Poster Richard Estes. Telephone Booths, 1967

12.50 €

Poster Richard Estes. Nedick's, 1970

Poster Richard Estes. Nedick's, 1970

12.50 €

Max Beckmann, figuras del exílio. Exhibition catalogue. Paperback Spanish language edition.

Max Beckmann, figuras del exílio. Exhibition catalogue. Paperback Spanish language edition.

9.50 €

Los impresionistas y la fotografía. Exhibition catalogue. Spanish Hard Cover

Los impresionistas y la fotografía. Exhibition catalogue. Spanish Hard Cover

38.00 € 25.00 €

Visit online shop

More from the collection

Gino Severini
Gino Severini
Expansion of Light. (Centrifugal and Centripetal)
ca. 1913 - 1914
Fernand Léger
Fernand Léger
The Staircase (Second State)
1914
Edward Wadsworth
Edward Wadsworth
Vorticist Study
1914
Francis Picabia
Francis Picabia
Predicament
1914
  • Private and/or didactic use
  • Commercial use
Private and/or didactic use
Woman at the Window. Mujer en la ventana, 1914
Woman at the Window
Gino Severini

©

VEGAP, Madrid

Terms of Use

The exploitation rights of the images correspond to the Fundacion Coleccion Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes and non-commercial uses.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the images set out below by the Foundation, it will be necessary to obtain a license from VEGAP (www.vegap.es), or from the corresponding collective management organization in the country where the work is going to be used or, where appropriate, from the holder of their rights in order to reproduce or exploit the work.

Use for educational and research purposes is understood as the non-commercial or advertising use of images in presentations, conferences, school or university work, in classes at regulated education institutions, as well as in academic publications, with a circulation of less than 1,000 copies, provided that it is non-profit.

Non-commercial use is understood as the use of the images in a context where no profit, monetary or commercial, is generated, directly or indirectly.

Any use other than those indicated above will require the prior written authorization of the Fundación.

Any request for educational and research use or for non-commercial use (including academic publications), should be directed by email to the Museum Photo Library through the email address archivo.fotografico@museothyssen.org. This department manages the worldwide distribution of the images of the works of the Museo Nacional Thyssen-Bornemisza and the management of their reproduction rights for those uses.

The user agrees to use the image of the website solely and exclusively for the purposes described above and in accordance with the following terms of use, which, however, do not apply to the reproduction of the works included in the photographs, as they are protected by Copyright.

Terms of use

  • If the image is used for reproduction, the work must be reproduced in its entirety. The image may not be manipulated, deformed, modified or altered in any way. In particular, no superposition (of images or texts) on the reproduction is allowed.
  • The reproduction of a detail or part of the work may only be made with the prior written authorization of the Fundación In this case, the credit line must include the following mention: “detail”.
  • Any total or partial reproduction of the images of the Fundación that has been previously authorized must be accompanied by the copyright text indicated by the owners or their copyright holders as well as the following mention: Provenance: Museo Nacional Thyssen-Bornemisza, Madrid”.
  • The user will send free of charge to the Museum Photo Library one (1) free copy of the edition, publication or reproduction to the following address: Archivo Fotografico, Museo Nacional Thyssen-Bornemisza, Paseo del Prado, 8 28014 Madrid, Spain.
Download image
Commercial use
Woman at the Window. Mujer en la ventana, 1914
Woman at the Window
Gino Severini

©

VEGAP, Madrid

Terms of Use

The Photo Library of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works on its Permanent Collection.

To request images or permits for commercial use in academic or research publications, that is, catalogues of other institutions, monographs and other specialized publications, you should contact the Museum's Photo Library by email at the e-mail @email.

To request images or permits for other commercial or advertising uses (general publications, merchandising, exhibitions, audio-visual works, web pages, etc.), you should contact the Museum's Commercial Archive by email at the e-mail @email.

The Photo Library and the Museum's Commercial Archive manage the worldwide distribution of images of the Museo Thyssen-Bornemisza works, as well as their reproduction rights. The applicable rates are calculated based on the nature and proposed use of the images, as well as the availability of the requested image.

Requests for scans or new photographs will be reviewed on a case-by-case basis. Once approved, an additional fee will apply. Re-photographing a work will require a minimum of six weeks to complete.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the photographs set out below by the Foundation, it will be necessary to obtain a license from  VEGAP (Visual Entidad de Gestión de Artistas Plásticos www.vegap.es) or from the corresponding collective management organizations in the country where the work is going to be used or, where appropriate, from the holder of their rights in order to reproduce or exploit the work.

Download image
Thyssen-Bornemisza Museo Nacional

Navegación secundaria (EN)

  • #Thyssenmultimedia
  • Press
  • Corporate events
  • Tourism
  • Join our team
  • Newsletter
Instagram
Facebook
X
Youtube
TikTok
iVoox
LinkedIn

The Museo Nacional Thyssen-Bornemisza would like to thanks for the collaboration of:

Fundación Mutua Madrileña Master Card Comunidad de Madrid
©2025 Thyssen-Bornemisza National Museum

Menú al pie (EN)

  • Legal terms and use of images
  • Public tenders
  • Transparency site
  • Accessibility and quality
  • Sustainability & 2030 Agenda
  • Contact
Ministry of Culture España es cultura | Spain is culture. The website promoting Spanish culture Paisaje de la Luz | Paseo del Prado y Buen Retiro. Paisaje de las Artes y las Ciencias
Certificación de Conformidad con el Esquema Nacional de Seguridad. Categoría Media. RD 311/2022