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©
Anthony Thieme
Anthony Thieme

Cabins near St. Augustine, Florida

ca. 1947 - 1948
Oil on canvas.
63.5 x 76.5 cm
Carmen Thyssen Collection
Inv. no. (
CTB.1999.113
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms: Ayako Rokakku 54 Postpop rooms: Ayako Rokakku 55 Postpop rooms: Ayako Rokakku 56 Postpop rooms: Ayako Rokakku Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop

Anthony Thieme, born in Rotterdam, Holland, began his artistic training by sketching the historic buildings and canal life of that city. Throughout his career, he felt an affinity for old, picturesque buildings, painting the back streets and fishing shacks at Rockport on Cape Ann, Massachusetts, and the historic structures of Charleston, South Carolina, and St. Augustine, Florida. As his wife wrote of her husband, "He often said he was born fifty years too late. He disliked the rush and roar of the modern age."

Thieme and his wife began to winter in St. Augustine in 1947. In his exhibition "St. Augustine and Nassau" held at the Grand Central Galleries in New York in November 1948, two of his paintings portrayed the dwellings of blacks in the vicinity of St. Augustine. Cabins near St. Augustine, Florida, no 14, is this painting; while no. 18, Florida Shanties, is most likely Florida Shanties, Palatka, Robert C. Slack Collection. The four-page brochure to the exhibition stated that "the artist, as he settles down in this city, finds tremendous inspiration not only in the gracious old city within the gates, but in the negro sections, at the docks, in the swamps, by the rivers." In Thieme's exhibition, "Old Charleston, " the year before at Grand Central Galleries, his paintings were primarily of the historic buildings of Charleston, including "Negro Church-Charleston." It did not contain paintings of black life although the brochure accompanying the exhibition indicated its appeal for Thieme: "But the city itself is not the end. Plantation life was close to Charleston, so now ones drives through moss draped trees [...] passing on the way, colorful groups of negroes who seem a happy part of its southern landscape."

Thieme was not interested in a penetrating portrayal of black society as recorded in Eastman Johnson's Negro Life at the South, 1859, The New-York Historical Society. His canvases were drawn to a more colourful aspect of the black community, unconcerned with the psychological and physical deprecations they endured. In Cabins near St. Augustine, Florida the figures are reduced to anonymous spots of colour, with only the title of the canvas and the ramshackle dwellings indicating the race of the inhabitants. A short review of the exhibition of his Augustine and Nassau paintings noted that they are "all lit by a bright sun." As in many of his paintings, Thieme loved to depict reflections in pools of water and to sprinkle accents of red throughout his compositions. Within his sympathetic portrayal of black life in Cabins near St. Augustine, Florida, Thieme would have also felt a kinship for the roosters or chickens in the dusty, barren yard seen before the distant shanty. He wrote that he liked "animals, dogs, goats, (I have 4) chickens and birds."

The gaiety and exuberance of Thieme's scenes belie a more troubled existence for the painter who was despondent at the end of his life. After his show of scenes of "Spain along the Mediterranean" at the Grand Central Galleries at the end of October and early November in 1954, the exhausted artist journeyed to his winter home in St. Augustine. Stopping for the night at a Greenwich, Connecticut, hotel on 6 December, the artist shot himself the next morning while his wife was in the adjoining room of their suite.

Kenneth W. Maddox

20th Centurys. XIX - Pintura norteamericana. CostumbrismoPaintingOilcanvas
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Cabins near St. Augustine, Florida, c. 1947-1948
Cabins near St. Augustine, Florida
Anthony Thieme

©

Anthony Thieme

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Cabins near St. Augustine, Florida, c. 1947-1948
Cabins near St. Augustine, Florida
Anthony Thieme

©

Anthony Thieme

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