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©
Museo Nacional Thyssen-Bornemisza, Madrid
Attributed to Jan Jansz. van de Velde III

Still Life with Chinese Dish. Rummer, Knife, Bread and Fruit

ca. 1650 - 1660
Oil on canvas.
44.7 x 38.8 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
376
(
1930.111
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
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30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop

Little information is known regarding the life and training of Jan Jansz. van de Velde III. Born into a family of artists, his father was a well-known printmaker who produced landscapes and urban views. His son, however, focused on still lifes with foodstuffs and smoking materials such as pipes, tobacco and ashtrays. Van de Velde’s compositions tend to be simple with only a few elements and are painted with a delicate chromatic range.

The present canvas was described as a work by Willem Kalf in the catalogue of the exhibition held at the Neue Pinakothek in Munich in 1930. The painting had previously entered the Collection with this attribution, which was subsequently revised in the various catalogues of the Collection by Rudolf Heinemann, and it was ultimately attributed to Juriaen van Streeck. This suggestion was confirmed by Ebbinge-Wubben in 1969, whose text on the painting noted the similarities between this painting and various works by Kalf but stated that the present work lacked the “depth of colour and warmth of lighting” typical of that artist. Van Streeck was born in Amsterdam in 1632 and specialised in still lifes, executed using a style and approach to composition close to Kalf. However, when he analysed the various objects in the present composition, Gaskell rejected the attribution to Van Streeck and suggested Jan Jansz. van de Velde III.

The earliest known reference to the painting is in Paris with the dealer Charles Sedelmeyer. Around 1890 it was in the Berlin collection of James Simon and was included that year in an exhibition at the Königliche Akademie in Berlin in whose catalogue it was tentatively attributed to Kalf. The canvas was later with Frederick Muller and with Jacques Goudstikker, from whom it was acquired for the Collection prior to the Munich exhibition of 1930.

This simple still life includes a device habitually found in Van de Velde’s work, namely the presentation of the objects in one corner of a table. In addition the artist aligned them through two diagonals that converge on the very edge of the tabletop where a snail slowly advances towards the base of the rummer. Using a plain background illuminated from the left, Van de Velde used a limited range of colours to create the group of objects and foodstuffs on the brown cloth. A Chinese dish in blue and white, late Ming porcelain similar to the one seen here has been identified in other paintings by the artist now in The Hague and Amsterdam. There are also similarities between the rummer seen here, on which the artist carefully painted the reflections of light on the glass, and one in a painting by Van de Velde in the Rijksmuseum, Amsterdam.

Mar Borobia

17th Century17th Century - Dutch paintingPaintingOilcanvas
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Still Life with Chinese Dish. Rummer, Knife, Bread and Fruit. Jan Jansz. van de (atribuido) Velde iii
Still Life with Chinese Dish. Rummer, Knife, Bread and Fruit
Attributed to Jan Jansz. van de Velde III

©

Museo Nacional Thyssen-Bornemisza, Madrid

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Still Life with Chinese Dish. Rummer, Knife, Bread and Fruit. Jan Jansz. van de (atribuido) Velde iii
Still Life with Chinese Dish. Rummer, Knife, Bread and Fruit
Attributed to Jan Jansz. van de Velde III

©

Museo Nacional Thyssen-Bornemisza, Madrid

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