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Special display

Hercules at the Court of Omphale by Hans Cranach. Restoration and technical study

From 29 January to 30 March 2014

On display until 2 March 2014 in the Museum’s Main Hall is a presentation of the painting Hercules at the Court of Omphale (1537) following the restoration and technical study of this work over the past few months. The project was made possible through the sponsorship of the Embassy of the Federal Republic of Germany in Spain. Alongside the newly restored painting are images of its state of preservation before and after restoration, a video providing details on the restoration, materials analysis, x-radiographs, infra-red reflectography and ultraviolet and high resolution photographs.

Following a preliminary technical study, the restoration process primarily consisted of cleaning the painting, removing the layer of varnish that had yellowed over time and correcting old areas of repainting and retouching, in addition to consolidating the support and surface layer of paint. As a result of this endeavour, it is now possible to see the work in the condition in which the artist, Hans Cranach, originally intended it to be seen. It has also gained a greater sense of pictorial depth and it is once again possible to appreciate the rich palette and delicate nuances that were concealed beneath the affected layers.

Portada de la publicación interactiva sobre la restauración de Hércules en la Corte de Onfalia

Interactive publication

If you want to know more details about this exhibition, leaf through the interactive publication.

Learn more

Related content

Obra "Hércules en la corte onfalia" con varias piezas más pequeñas que extraen trozos de la obra
Virtual tour
Hercules at the Court of Omphale by Hans Cranach. Restoration and technical study
"Hércules en la Corte de Onfalia"
Video
Restoration of Hercules at the Court of Omphale : introductory video
Hercules at the Court of Omphale. Hércules en la corte de Onfalia, 1537
Publication
Hercules at the Court of Omphale

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The Museo Nacional Thyssen-Bornemisza would like to thanks for the collaboration of:

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