For the first time, the museum is devoting a retrospective to a Spanish woman artist, Isabel Quintanilla (1938-2017), one of the key figures of contemporary realism.

The exhibition features around 100 works spanning the artist’s entire career and including her most important paintings and drawings. Many have never previously been seen in Spain as they are principally housed in museums and collections in Germany, a country where she was widely recognised in the 1970s and 1980s. Quintanilla lived and worked during a period in Spain when women artists lacked the status and recognition accorded to their male counterparts, an issue that she herself confronted in her public statements with the aim of defending the significance of her work and that of her female colleagues.

Isabel Quintanilla’s painting is the result of an absolute mastery of technique and of skill acquired at different art schools but above all the consequence of a lengthy and ongoing working process. She always referred to the constant struggle involved in resolving the problems posed by painting to all artists who wish to make use of it in order to experience reality in a different way.

The selection of works on display offers a fascinating survey that introduces visitors to the “world of Quintanilla”: filled with her most personal possessions, with the intimacy of the rooms and spaces in her different houses and studios and with her family and friends. This is a world in which we recognise settings and objects that trigger our emotions, which was one of the artist’s constant aims. As Quintanilla herself said on numerous occasions, painting was her life and her life was painting.

Monday closed
From Tuesday to Friday and Sunday: 10.00 - 19.00.
Saturday: 10.00 - 21.00

1 May: Museum closed.

Temporary exhibition halls, level 0

Approximate duration of the visit: 1 hour. Please note that the galleries will be emptied 5 minutes before closing time.

Accessibility in the visit.
Enter into her work through an evocative journey through her most personal objects, the intimacy of the rooms in which she lived and worked, as well as her family and colleagues.