Thyssen-Bornemisza Museo Nacional Search Ir al contenido principal

Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
Visit Collection Exhibitions Activities Education Search
  • Visit
  • Collection
  • Exhibitions
  • Activities
  • Education

Thyssen - Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
©
Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)
Andrea di Bartolo

Christ on the route to Calvary

ca. 1415 - 1420
Tempera on panel.
54.5 x 49.2 cm
Thyssen-Bornemisza Collection, on deposit with the Museu Nacional d'Art de Catalunya (MNAC)
Inv. no.
6
(
1929.1
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop
This panel was in the collection of Baron Heinrich Freiherr von Tucher, where it was recorded in 1908. The collection of this German diplomat stationed in Rome was auctioned in Berlin in 1927. Between this date and its entry into the Thyssen- Bornemisza collection in 1929 the panel was restored and transferred, together with its preparatory ground, from its original panel to the present one.

Christ on the Route to Calvary is one of the episodes from a predella on the Passion and Resurrection of Christ. In 1961 Gertrude Coor-Achenbach proposed a reconstruction of the predella from this altarpiece, which had been dismantled at an unknown date. In addition to the present panel, she suggested The Crucifixionin the Metropolitan Museum to be the central panel, accompanied by The Lamentation in the Nationalmuseum in Stockholm and The Resurrection in the Walters Art Gallery. In 1977 Federico Zeri suggested the final predella panel to be The Betrayal of Judas, which was on the Paris art market in 1972. Given the dimensions of the five panels that made up the lower part of the altarpiece, it has been suggested that the ensemble as a whole would have been intended for the high altar of an as yet unidentified church. With regard to a possible reconstruction of the section above the predella, Boskovits proposed two panels that were on the Italian art market: a Saint Louis of Toulouse and a Saint John the Baptist, to be located on the left of an unidentified central panel, and Saint John the Evangelist and Saint Francison the right.

For the present panel Andrea di Bartolo was inspired by a painting by Simone Martini on the same subject of 1335 (Musée du Louvre, Paris). Comparing the two images, the parallels between the organisation of the planes and the overall conception are obvious. These similarities also include specific elements such as the arrangement of the central group of Christ, Simon the Cirene, the soldier with his sword unsheathed, the Virgin and the figure of Saint John. One of the most expressive elements in Simone Martini’s panel, the Magdalen with her arms raised, was omitted from the present panel and the artist preferred to insert the holy women within the crowd that follows Christ so that we can only see their faces. Di Bartolo repeated this formula in a scene in a polyptych in the Duomo in Tuscania and in a panel that was in the Ruffini collection in Rome.

The present panel was previously attributed in catalogues of the Thyssen-Bornemisza collection to Bartolo di Fredi Cini, the father of Andrea di Bartolo. The current attribution was made in a text by Hans-Dietrich Gronau published in 1937. It was accepted by Bernard Berenson, Federico Zeri and Miklós Boskovits, among others.

Mar Borobia
15th Century15th Century - Italian paintingPaintingTemperapanel
Listen
Download image Print page

Products and publications

Catalogue Hyperreal. The art of trompe l'oeil (Spanish)

Catalogue Hyperreal. The art of trompe l'oeil (Spanish)

34.00 € 25.00 €

Catalogue Museo Thyssen-Bornemisza. Old Painting (English)

Catalogue Museo Thyssen-Bornemisza. Old Painting (English)

80.00 € 25.00 €

Spanish & Sisters x Lacroix crochet earrings

Spanish & Sisters x Lacroix crochet earrings

48.00 €

"Masterworks from Budapest" exhibition catalogue (Spanish, Paperback)

"Masterworks from Budapest" exhibition catalogue (Spanish, Paperback)

34.00 € 15.50 €

Visit online shop

More from the collection

Lorenzo Monaco
Lorenzo Monaco
The Virgin and Child enthroned with six Angels
ca. 1415 - 1420
  • Private and/or didactic use
  • Commercial use
Private and/or didactic use
Christ on the route to Calvary. Cristo camino del Calvario, c. 1415-1420
Christ on the route to Calvary
Andrea di Bartolo

©

Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)

Terms of Use

The exploitation rights of the images correspond to the Fundación Coleccion Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes, and other non-commercial uses.

Use for educational and research purposes is understood as the non-commercial or advertising use of images in presentations, conferences, school or university work, in classes at regulated education institutions, as well as in academic publications, with a circulation of less than 1,000 copies, provided that it is non-profit.

Non-commercial use is understood as the use of the images in a context where no profit, monetary or commercial, is generated, directly or indirectly.

Any use other than those indicated above will require the prior written authorization of the Fundación Any request for educational and research use or for non-commercial use (including academic publications), should be directed by email to the Museum Photo Library through the email address archivo.fotografico@museothyssen.org. This department manages the worldwide distribution of the images of the works of the Museo Nacional Thyssen-Bornemisza and the management of their reproduction rights for those uses.

The user agrees to use the image of the website solely and exclusively for the purposes described above and in accordance with the following terms of use:

Terms of use

  • If the image is used for reproduction, the work must be reproduced in its entirety. The image may not be manipulated, deformed, modified, or altered in any way. In particular, no superposition (of images or texts) on the reproduction is allowed.
  • The reproduction of a detail or part of the work may only be made with the prior written authorization of the Fundación. In this case, the credit line must include the following mention: “detail”.
  • Any total or partial reproduction of the images authorized by the Fundación must be accompanied by the following mention: Author's name. Title, Date © Museo Nacional Thyssen-Bornemisza, Madrid.
  • The user will send to the Museum Photo Library of the Fundación one (1) free copy of the edition, publication or reproduction to the following address: Archivo Fotográfico, Museo Nacional Thyssen-Bornemisza, Paseo del Prado, 8 28014 Madrid, Spain.
Download image
Commercial use
Christ on the route to Calvary. Cristo camino del Calvario, c. 1415-1420
Christ on the route to Calvary
Andrea di Bartolo

©

Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)

Terms of Use

The Photographic Archive of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works on its Permanent Collection.

To request images or permits for commercial use in academic or research publications, that is, catalogues of other institutions, monographs and other specialized publications, you should contact the Museum's Commercial Archive by email at the e-mail @email.

To request images or permits for other commercial or advertising uses (general publications, merchandising, exhibitions, audio-visual works, web pages, etc.), you should contact the Museum's Commercial Archive by email at the e-mail @email.

The Photo Library and the Museum's Commercial Archive manage the worldwide distribution of images of the Museo Thyssen-Bornemisza works, as well as their reproduction rights. The applicable rates are calculated based on the nature and proposed use of the images, as well as the availability of the requested image.

Requests for scans or new photographs will be reviewed on a case-by-case basis. Once approved, an additional fee will apply. Re-photographing a work will require a minimum of six weeks to complete.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the photographs set out below by the Foundation, it will be necessary to obtain a license from the author or copyright holder known to the Fundacion in order to reproduce or exploit the work.

Download image
Thyssen-Bornemisza Museo Nacional

Navegación secundaria (EN)

  • #Thyssenmultimedia
  • Press
  • Corporate events
  • Tourism
  • Join our team
  • Newsletter
Instagram
Facebook
X
Youtube
TikTok
iVoox
LinkedIn

The Museo Nacional Thyssen-Bornemisza would like to thanks for the collaboration of:

Fundación Mutua Madrileña Master Card Comunidad de Madrid
©2025 Thyssen-Bornemisza National Museum

Menú al pie (EN)

  • Legal terms and use of images
  • Public tenders
  • Transparency site
  • Accessibility and quality
  • Sustainability & 2030 Agenda
  • Contact
Ministry of Culture España es cultura | Spain is culture. The website promoting Spanish culture Paisaje de la Luz | Paseo del Prado y Buen Retiro. Paisaje de las Artes y las Ciencias
Certificación de Conformidad con el Esquema Nacional de Seguridad. Categoría Media. RD 311/2022