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©
Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)
Pietro degli Ingannati

The Virgin and Child with Saint Agnes in a Landscape

ca. 1520 - 1525
Oil on panel.
60.5 x 85.5 cm
Thyssen-Bornemisza Collection, on deposit with the Museu Nacional d'Art de Catalunya (MNAC)
Inv. no.
200
(
1934.11
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop

Pietro degli Ingannati was a painter from the Veneto documented in Venice in the first half of the 16th century. His life and his work, which has on occasions been confused with that of Francesco Bissolo, has been reconstructed on the basis of studies by Adolfo Venturi, Bernard Berenson and Paola Caccialupi. The latter’s text of 1978 included a biography. Berenson attributed more than 30 paintings to the artist in which he noted significant stylistic traits, evident in the present panel.

The artist’s work clearly reveals the influence of Giovanni Bellini, particularly with regard to the physical type of the faces, the colour and compositions. In addition, it is possible to detect the influence of Lazzaro Bastiani, Benedetto Diana, Vicenzo Catena and the late work of Palma Vecchio (1479/1480–1528). Pietro degli Ingannati’s first known paintings are dated to the first decade of the 16th century and his last to the late 1540s, including a Holy Family with Saint John the Baptist and Saint Catherine of 1548 (Sellar collection, London).

The attribution of the present panel to Pietro degli Ingannati, recorded in the catalogues of the Thyssen-Bornemisza collection since 1937, was made by Georg Gronau in a report of May 1934, the year the painting was acquired for the collection. Gronau noted its connections with the work of Giovanni Bellini, particularly late works by that artist which Pietro degli Ingannati could have used as a basis for his work. In his study of Italian Renaissance painting, Berenson subsequently included this panel in his list of the artist’s works.

The painter locates the seated Virgin with the Child on her lap on the right, on a higher plane than the saint. This figure, who has been identified in the Collection’s catalogues as Saint Agnes, does not in fact have any of her traditional attributes that would allow for a secure identification and she only holds a palm of martyrdom. The composition is considerably indebted to Bellini, as Gronau noted: the horizontal format with the half-length figures, the way they are located and the background landscape all recall that artist’s Sacre conversazioni, although here the landscape is notably simplified.

The Art Museum of Portland (Oregon) has a painting signed by Pietro degli Ingannati depicting a Portrait of a young Girl as a Martyr Saint. This single figure is almost identical to the present saint. The few differences relate to the pattern on the dress, the face, which has broader features, and the curls that frame it. The most importance difference relates to the background, which includes a city in the Portland composition.

Mar Borobia

16th Century16th Century - Italian paintingPaintingOilpanel
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Private and/or didactic use
The Virgin and Child with Saint Agnes in a Landscape. La Virgen y el Niño, con santa Inés, en un paisaje, c. 1520-25
The Virgin and Child with Saint Agnes in a Landscape
Pietro degli Ingannati

©

Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)

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The Virgin and Child with Saint Agnes in a Landscape. La Virgen y el Niño, con santa Inés, en un paisaje, c. 1520-25
The Virgin and Child with Saint Agnes in a Landscape
Pietro degli Ingannati

©

Thyssen-Bornemisza Collection, on loan with the Museu Nacional d'Art de Catalunya (MNAC)

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