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©
Leon Kossoff / © The Artist
Leon Kossoff

Booking Hall. Kilburn Underground Station No. 1

1976
Oil on Plywood.
45.7 x 38.1 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
632
(
1979.32
)
Not on display
  • Level 2 Permanent Collection
  • Level 1 Permanent Collection
  • Level 0 Carmen Thyssen Collection and Temporary exhibition rooms
  • Level -1 Temporary exhibition rooms, Conference room and EducaThyssen workshop
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Level 0
Carmen Thyssen Collection and Temporary exhibition rooms
A B C D E F G H I J Hall Temporary exhibition rooms Access to Permanent Collection Entrance Access to Carmen Thyssen Collection Paseo del Prado Garden
A 17th and 18th Centuries. Old Masters B 19th Century. North American Landscape C 19th Century. French Naturalist Landscape D 19th Century. Impressionism E 19th Century. Monet and North American Impressionism F 19th Century. Gauguin and Postimpressionism G 19th and 20th Centuries. Neo Impressionism and its Wake H 20th Century. Early Avant-gardes I 20th Century. Between the Wars Painting. Cubism, Abstraction and Surrealism J 20th Century. North American Painting and Others • HALL
Level -1
Temporary exhibition rooms, Conference room and EducaThyssen workshop
Temporary exhibition rooms Conference room EducaThyssen Workshop

As with Frank Auerbach, the human figure became the primary motif in Leon Kossof ’s painting, which he treated not as a symbolic substance but as a vehicle for seeing reality. His working method has remained practically unchanged, for as the artist himself stated, “a painter is engaged in a working process and the work is concerned with making the paint relate to his experience of seeing and being in the world.”

Observation is an obsession for Kossoff, and each of his works is preceded by numerous preliminary drawings. He needs not only to observe but to step inside the scene and translate the images into accidents of the brush. He employs traditional painting materials, such as charcoal, in his preparatory drawings. These are made from life in the presence of the motif, which, when transferred to canvas, is engulfed and transformed by the material and gestural quality of the painting.

More than represent, his works discover and reinvent urban spectacle. Booking Hall. Kilburn Underground Station No. 1 belongs to a cycle that captures various impressions of Kilburn Street. In this small oil painting the painter takes us underground, into the station’s interior, where several anonymous citizens walk towards the platforms or queue to buy tickets. The scene is cramped on account of the impastoed, expressive brushwork, in continuous movement, and the very image of the oppressive space inside the tube station. Kossof ’s manner of loading on the paint thickly, layer upon layer, giving it the appearance of a bas-relief, is designed to symbolise the materiality of the physical world.

Paloma Alarcó

20th Centurys. XX - Figuración en la posguerra europeaPaintingOilPlywood
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Private and/or didactic use
Booking Hall. Kilburn Underground Station No. 1. Taquillas de metro. Estación Kilburn nº 1, 1976
Booking Hall. Kilburn Underground Station No. 1
Leon Kossoff

©

Leon Kossoff / © The Artist

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Booking Hall. Kilburn Underground Station No. 1. Taquillas de metro. Estación Kilburn nº 1, 1976
Booking Hall. Kilburn Underground Station No. 1
Leon Kossoff

©

Leon Kossoff / © The Artist

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