Thyssen-Bornemisza Museo Nacional Search Ir al contenido principal

Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
Visit Collection Exhibitions Activities Education Search
  • Visit
  • Collection
  • Exhibitions
  • Activities
  • Education

Thyssen - Navegación superior (EN)

About Us Support Become Friend Shop Tickets
Español
©
Museo Nacional Thyssen-Bornemisza, Madrid
Gerard ter Borch

Portrait of a Man reading a Document

ca. 1675
Oil on canvas.
48 x 39.5 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
392
(
1969.18
)
ROOM 27
Level 2
Permanent Collection
1 2 3 4 5 6 7 8 9 10 11 12 14 13 15 16 17 18 22 19 20 21 23 24 25 26 27 28 29 Recommended start of the visitClassical rooms
1 14th Century. Early Italian Painting 2 15th Century. German and Spanish Painting 3 15th Century. Early Netherlandish Painting 4 15th Century. Italian Painting 5 15th and 16th Centuries. Renaissance Portraiture 6 16th Century. Villahermosa Gallery 7 16th Century. Italian Painting 8 15th and 16th Centuries. German Painting 9 15th and 16th Centuries. German Painting 10 16th Century. Netherlandish Painting 11 Tiziano, Tintoretto, Bassano and  El Greco 12 17th Century. Caravaggio and Baroque Painting 13 17th Century. Italian, French and Spanish Painting 14 17th Century. Italian, French and Spanish Painting 15 17th Century. Italian, French and Spanish Painting 16 18th Century. Italian Painting 17 18th Century. Italian Painting 18 18th Century. Italian Painting 19 Classical rooms 20 Classical rooms 21 Classical rooms 22 18th Century. Italian Painting 23 17th Century. Dutch Painting. Landscape 24 18th Century. French and English Painting 25 17th Century. Dutch Painting. Scenes of Daily Life and Interiors 26 17th Century. Dutch Painting. Landscape 27 17th Century. Dutch Painting. Portrait 28 17th Century. Dutch Painting. Landscape 29 19th Century. European Painting. Goya and Romanticism  
Gerard ter Borch is an artist appreciated both for his genre paintings as well as his portraits. His domestic interiors, in which he depicted the customs and activities of daily life in an intimate tone, influenced other artists of his day such as Pieter de Hooch and Gabriel Metsu, both represented in the Collection by works of this type. Within this field Ter Borch produced his most innovative works in the 1650s although he executed compositions of this type from the mid-1640s. In these interiors the artist paid more attention to the figures (which tend to be few in number) than to the settings, which are limited to simple spaces with a few essential details.

Around the mid-1650s, Ter Borch focused more actively on the portrait, maintaining the austere, plain formats that he had employed in the 1640s, despite changes in taste. These works retain their high quality and pay particular attention to the materials and to the lighting of the models, often leaving the backgrounds in shadow.

The provenance of this canvas is known from the early 19th century, when it may have been owned by the Amsterdam dealer Cornelis Sebille Ross. Before it entered the Thyssen-Bornemisza collection it was with various galleries including that of Daniel Katz in Dieren between 1934 and 1938, and that of H. E. ten Cate in Oldenzaal in 1929, where it is recorded in 1929 and again after World War II. The painting was acquired for the Collection from the Cramer gallery in The Hague in 1969.

In the present canvas, which was published by Hofstede de Groot in 1912, Ter Borch locates the sitter, dressed informally in a manner appropriate to the setting, in a private room of a house. There are various pentimenti in the background that are now visible to the naked eye due to the natural wear of the pictorial materials, which have lost their opacity and become more transparent over time. It can be seen that the bed was initially on the left in the position now occupied by the half-open door. This modification now appears as a shadow on the wall in which we can also see the original position of the decorative finial of the bed. As Gaskell noted, this original arrangement is used in the 1660s in compositions such as the one in the National Gallery, London, of a woman playing an instrument accompanied by two men, and a watercolour in the Rijksprentenkabinet in Amsterdam which is a work by Gesina ter Borch that reproduces a canvas by the artist. Also comparable is the portrait of a man dated 1668 in the Kunsthaus, Zurich. In that work the sitter is located in a simple interior with a half-open doorway on the left in a room only decorated with a textile on the end wall. As in the present work, the ceiling of the Zurich painting has wooden beams. In the 1670s Ter Borch continued to use plain backgrounds in his portraits, generally locating an object close to the sitter.

The identity of this sitter is unknown, although in 1934 and 1935 when it was included in two exhibitions it apparently had an inscription (now lost) on the reverse identifying him as the Burgomaster of Dordrecht, G. Beverningh. By establishing the approximate date of the canvas Gudlaugsson offered a clue as to the sitter’s identity, which Gaskell in turn related to the objects included in the setting. The atlas on the table, open at a map of the Low Countries and possibly showing the Scheldt estuary and the city of Antwerp, and the printed document that the sitter is holding have been related to the moment when French troops invaded the United Provinces. In addition, this young man is dressed in the manner of the patrician class in Amsterdam where Ter Borch was documented at this time. The date and the objects in the painting led Gaskell to suggest that this sitter may have played a part in events taking place at the time.

Mar Borobia
17th Century17th Century - Dutch paintingPaintingOilcanvas
Listen
Download image Print page

Tours to find it

The Psyche mirror. El espejo psiqué, 1876
Tours
A Room of One’s Own

A gender perspective on inhabiting interiors.

Products and publications

Portrait of a Man Reading a Document

Portrait of a Man Reading a Document

17.00 €

Alex Katz (exhibition catalog. Spanish with texts in English)

Alex Katz (exhibition catalog. Spanish with texts in English)

32.00 € 30.40 €

Max Beckmann, figuras del exílio. Exhibition catalogue. Hardcover. Spanish.

Max Beckmann, figuras del exílio. Exhibition catalogue. Hardcover. Spanish.

38.00 € 9.50 €

Poster Richard Estes. Nedick's, 1970

Poster Richard Estes. Nedick's, 1970

12.50 €

Visit online shop

More from the collection

Gerard ter Borch
Gerard ter Borch
Portrait of a Man aged Forty-two
1652
Gerard ter Borch
Gerard ter Borch
Portrait of a Woman aged Thirty
165(2)
Caspar Netscher (attributed to)
Caspar Netscher (attributed to)
Portrait of a Man
ca. 1676
Caspar Netscher
Caspar Netscher
Portrait of a Lady
1676
  • Private and/or didactic use
  • Commercial use
Private and/or didactic use
Portrait of a Man reading a Document. Gerard ter Borch ii
Portrait of a Man reading a Document
Gerard ter Borch

©

Museo Nacional Thyssen-Bornemisza, Madrid

Terms of Use

The exploitation rights of the images correspond to the Fundación Coleccion Thyssen-Bornemisza, F.S.P. The Fundación authorizes the downloading of high-resolution images from its website for private use, use for educational and research purposes, and other non-commercial uses.

Use for educational and research purposes is understood as the non-commercial or advertising use of images in presentations, conferences, school or university work, in classes at regulated education institutions, as well as in academic publications, with a circulation of less than 1,000 copies, provided that it is non-profit.

Non-commercial use is understood as the use of the images in a context where no profit, monetary or commercial, is generated, directly or indirectly.

Any use other than those indicated above will require the prior written authorization of the Fundación Any request for educational and research use or for non-commercial use (including academic publications), should be directed by email to the Museum Photo Library through the email address archivo.fotografico@museothyssen.org. This department manages the worldwide distribution of the images of the works of the Museo Nacional Thyssen-Bornemisza and the management of their reproduction rights for those uses.

The user agrees to use the image of the website solely and exclusively for the purposes described above and in accordance with the following terms of use:

Terms of use

  • If the image is used for reproduction, the work must be reproduced in its entirety. The image may not be manipulated, deformed, modified, or altered in any way. In particular, no superposition (of images or texts) on the reproduction is allowed.
  • The reproduction of a detail or part of the work may only be made with the prior written authorization of the Fundación. In this case, the credit line must include the following mention: “detail”.
  • Any total or partial reproduction of the images authorized by the Fundación must be accompanied by the following mention: Author's name. Title, Date © Museo Nacional Thyssen-Bornemisza, Madrid.
  • The user will send to the Museum Photo Library of the Fundación one (1) free copy of the edition, publication or reproduction to the following address: Archivo Fotográfico, Museo Nacional Thyssen-Bornemisza, Paseo del Prado, 8 28014 Madrid, Spain.
Download image
Commercial use
Portrait of a Man reading a Document. Gerard ter Borch ii
Portrait of a Man reading a Document
Gerard ter Borch

©

Museo Nacional Thyssen-Bornemisza, Madrid

Terms of Use

The Photographic Archive of the Museo Nacional Thyssen-Bornemisza offers sale and rental service of photographic material of all the works on its Permanent Collection.

To request images or permits for commercial use in academic or research publications, that is, catalogues of other institutions, monographs and other specialized publications, you should contact the Museum's Commercial Archive by email at the e-mail @email.

To request images or permits for other commercial or advertising uses (general publications, merchandising, exhibitions, audio-visual works, web pages, etc.), you should contact the Museum's Commercial Archive by email at the e-mail @email.

The Photo Library and the Museum's Commercial Archive manage the worldwide distribution of images of the Museo Thyssen-Bornemisza works, as well as their reproduction rights. The applicable rates are calculated based on the nature and proposed use of the images, as well as the availability of the requested image.

Requests for scans or new photographs will be reviewed on a case-by-case basis. Once approved, an additional fee will apply. Re-photographing a work will require a minimum of six weeks to complete.

However, photographed works are protected by copyright. Therefore, regardless of the terms of use of the photographs set out below by the Foundation, it will be necessary to obtain a license from the author or copyright holder known to the Fundacion in order to reproduce or exploit the work.

Download image
Thyssen-Bornemisza Museo Nacional

Navegación secundaria (EN)

  • #Thyssenmultimedia
  • Press
  • Corporate events
  • Tourism
  • Join our team
  • Newsletter
Instagram
Facebook
X
Youtube
TikTok
iVoox
LinkedIn

The Museo Nacional Thyssen-Bornemisza would like to thanks for the collaboration of:

Fundación Mutua Madrileña Master Card Comunidad de Madrid
©2025 Thyssen-Bornemisza National Museum

Menú al pie (EN)

  • Legal terms and use of images
  • Public tenders
  • Transparency site
  • Accessibility and quality
  • Sustainability & 2030 Agenda
  • Contact
Ministry of Culture España es cultura | Spain is culture. The website promoting Spanish culture Paisaje de la Luz | Paseo del Prado y Buen Retiro. Paisaje de las Artes y las Ciencias
Certificación de Conformidad con el Esquema Nacional de Seguridad. Categoría Media. RD 311/2022