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©
Museo Nacional Thyssen-Bornemisza, Madrid
Charles Demuth

Love, Love, Love. Homage to Gertrude Stein

1928
Oil on panel.
51 x 53 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
521
(
1973.56
)
ROOM 45
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room
Love, Love, Love. Homage to Gertrude Stein is part of a group of socalled poster portraits of various artists and writers painted by Charles Demuth between 1924 and 1928. They are all symbolic portraits in which the sitter’s identity is constructed from various words and objects. Demuth embraced a tradition of Modernist portraits established the previous decade by artists and writers such as Marsden Hartley, Marius de Zayas, Francis Picabia and Gertrude Stein herself. Instead of depicting the subject’s facial features, Demuth employs different kinds of emblems and signs, engaging in a kind of play with the viewer. By doing so he furthermore calls into question the notion of identity in portraiture, a complex and controversial theme. Creating an actual likeness was thus not an essential aim.

In the present portrait of the American writer, he uses an enigmatic mask, the numbers 1, 2 and 3 and the word “LOVE” repeated three times, which stand out against the flat background that is divided into two by a marked diagonal separating black from red. Whereas the meaning of the mask is indecipherable, the figures may refer to the writer’s fondness for the number three.

Paloma Alarcó
20th Centurys. XX - Primeras vanguardias norteamericanasPaintingOilpanel
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Love, Love, Love Silver Cufflinks

Love, Love, Love Silver Cufflinks

150.00 € 72.81 €

Love, Love, Love Silver Pendant

Love, Love, Love Silver Pendant

175.00 € 87.00 €

Love, Love, Love. Homenaje a Gertrude Stein

Love, Love, Love. Homenaje a Gertrude Stein

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Love, Love, Love Silver Earrings

Love, Love, Love Silver Earrings

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Love, Love, Love. Homage to Gertrude Stein. Love, Love, Love. Homenaj
Love, Love, Love. Homage to Gertrude Stein
Charles Demuth

©

Museo Nacional Thyssen-Bornemisza, Madrid

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Love, Love, Love. Homage to Gertrude Stein. Love, Love, Love. Homenaj
Love, Love, Love. Homage to Gertrude Stein
Charles Demuth

©

Museo Nacional Thyssen-Bornemisza, Madrid

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