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©
Nolde Stiftung Seebüll
Emil Nolde

Red Clouds

s.f
Watercolor on hand-made paper.
34.5 x 44.7 cm
Museo Nacional Thyssen-Bornemisza, Madrid
Inv. no.
694
(
1983.9
)
ROOM 34
Level 1
Permanent Collection
30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 Postpop rooms Rodin room
30 18th and 19th Centuries. Transatlantic Relations 31 19th Century. American Landscape and Environmental Awareness 32 19th Century. American Landscape and Urban Life 33 Recovering the ligth. Restoration of Waterloo Bridge, by André Derain 34 20th Century. Expressionist Landscapes 35 20th Century. Expressionist Portraits 36 20th Century. The Language of the Body 37 20th Century. Urban unrest 38 20th Century. Flowers 39 20th Century. Pioneers of abstraction 40 20th Century. Popular flavor 41 20th Century. The Cubist Tradition I 42 20th Century. The Cubist Tradition II 43 20th Century. Abstract Utopias 44 20th Century. Dada and Surrealism 45 20th Century. Interwar Realisms 46 20th Century. American Abstraction I 48 20th Century. Post-ward American Art 49 20th Century. Post-ward European Figurative Art 50 20th Century. Informalisms 51 20th Century. Homo Ludens 52 20th Century. Pop Art 53 Postpop rooms 54 Postpop rooms 55 Postpop rooms 56 Postpop rooms Rodin Exhibition room

Although Nolde’s composition, Red Clouds, is very similar to most of his landscapes, the present work holds symbolic connotations and attests to the artist’s mastery at expressing his mood through painting. In addition, the hues Nolde achieves here using the watercolour medium have sometimes been likened to the wash paintings of the Far East.

Like many of Nolde’s late works, this watercolour is not documented, and although there is no doubt about its authorship, there is insufficient information to date it. Peter Vergo claims that the scenery represents Seebüll, in Northern Friesland, the painter’s last place of residence after leaving Utenwarf in 1927 and where the Stiftung Ada und Emil Nolde is located.

The work was acquired from the artist’s Estate by Dr Max Stern, a famous German psychiatrist who emigrated to the United States after the advent of the Nazi regime. In the 1950s he began collecting art from all periods, but especially German Expressionism. Baron Thyssen purchased Red Clouds from his widow, Liselotte Bendix Stern, in 1983.

Paloma Alarcó

20th Century - European painting. ExpressionismWork on paperWatercolorhand-made paper
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Emil Nolde - Diez maestros de la Colección Carmen Thyssen

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Red Clouds. Nubes rojas, s. f.
Red Clouds
Emil Nolde

©

Nolde Stiftung Seebüll

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Red Clouds. Nubes rojas, s. f.
Red Clouds
Emil Nolde

©

Nolde Stiftung Seebüll

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