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Restaurabits

Secrets and other curiosities

Detalle del contorno de las carnaciones de la obra “Venus y Cupido”

The middle finger

Detail of the contours of the skin tones in the painting “Venus and Cupid”
Detalle del contorno de las carnaciones de la obra “Venus y Cupido”

Rubens succeeds in conveying the delicacy with which Venus presses the middle finger of her hand against her breast with just a few small brushstrokes. They go almost unnoticed when viewed with the naked eye, but macro photography reveals the subtle touches of white he uses to mark the form of the flesh where the finger sinks into it.

Rubens delineates certain contours of the flesh in a very subtle way using a reddish line. These outlines form an essential part of the composition, creating a very distinctive pictorial effect of depth.

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More restaurabits

Detail of the X-ray of Rubens’s “Venus and Cupid”
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The invisible knife

Did you know that Rubens used a knife in this work?

Rubens used this tool to apply a layer of white paint beneath the figures' skin to enhance their luminosity and volume.

Detail of the cleaning procedure carried out on the painting “Venus and Cupid” by Peter Paul Rubens
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Discovering Venus

The deterioration of the varnish on the painting Venus and Cupid made it difficult to properly appreciate its hues and dulled the luminosity that Rubens had intended it to have. 

Comparative detail of the silkscreen technique used in Robert Rauschenberg’s work “Express”
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"Express". Technical processes

Rauschenberg plays with the technique. The artist takes a typically commercial process, screen printing, and turns it into a pictorial device, incorporating it into his artistic language in a completely natural way.

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The Museo Nacional Thyssen-Bornemisza would like to thanks for the collaboration of:

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