Following the appearance of the earliest Daguerreotypes in the late 1830s and above all after the subsequent discovery of photographic printing on paper, the relationship between photography and painting became an extremely close one. The key position that photography now occupies in the context of contemporary art has encouraged a renewed interest in art-historical studies with regard to the impact of its invention on the visual arts.

The exhibition The Impressionists and Photography,  thanks to the support of JTI and with the collaboration of Comunidad de Madrid, pursues this line of research. It offers a critical reflection on affinities and mutual influences between photography and painting while also looking at the lively debate that its emergence generated among critics and artists in France in the second half of the 19th century.

With the support of:


With the collaboration of:

Comunidad de Madrid

Technology partnership:

Samsung the Frame

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